
Rudyard Kipling's beloved story returns to the screen in this Walt Disney Pictures production from director Jon Favreau (Elf, Iron Man). ~ Jason Buchanan, Rovi
About The Jungle Book
Artist : Neel Sethi, Bill Murray, Ben Kingsley, Idris Elba, Scarlett JohanssonAs : Mowgli, Baloo, Bagheera, Shere Khan, Kaa
Title : The Jungle Book Cinemar
Release date : 2016-04-15
Movie Code : 3040964
Duration : 111
Category : Adventure, Drama, Fantasy
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The better these talking beasts look, the more the film resembles a gorgeous screen saver. You admire The Jungle Book, but you can't lose yourself in it.

Favreau has proved he can make big studio contraptions seem warm and nearly human - he's the Baloo of filmmakers - and the great strength of this "Jungle Book" is how busy it is with personalities and incident.

The plot is episodic, sewing together several tales by Rudyard Kipling, yet Favreau skillfully covers up the seams by increasing the pressure from Shere Khan.

The reason to go see Favreau's The Jungle Book, instead of just watching the animated one with your cubs, is how gorgeous the jungle looks.

Like all classic Disney productions, "The Jungle Book" possesses its share of fear, suffering and loss. But somehow the audience comes out whistling - in this case, with joy and quite a bit of awe.

Favreau's fundamental decency and relatively light touch serve him well. He has a knack for straight-ahead pacing and for tightening the screws (the movie is 81 percent life-and-death peril and 19 percent comic relief) without being maniacal about it.

Disney's latest take on "The Jungle Book" has the bare necessities, but not much more.

Thanks to director Jon Favreau's visionary guidance and some of the most impressive blends of live-action and CGI we've yet seen, The Jungle Book is a beautifully rendered, visually arresting take on Rudyard Kipling's oft-filmed tales.

Though darker in tone, and more suitable for older kids, Disney's new take retains the undeniably fun spirit of the earlier film.

The Jungle Book is well-made and deserves recognition as one of the year's best family offerings (thus far).

If only all blockbusters could be this exciting, engrossing, and beautiful.

A dazzling, charming and utterly immersive 3-D experience, it's sure to capture the imagination of moviegoers of all ages.

For all but the most timid of moviegoers, this live-action revival of The Jungle Book serves cherished memories, while offering much more than just the bare necessities of entertainment.

A film that will be celebrated, and rightly so, as one of the year's best family films. It's the rare remake that gets things right, and Favreau makes this "Book" a genuine page-turner.

This Jungle Book works, because Favreau has both a sense of humor and a sense of spectacle.

The movie is an odd beast: A powerful exploration of the cruelty of nature in which the animals occasionally break into song.

It's amazing to think that throughout this nearly two-hour film, there is just one flesh-and-blood character who spends more than a few seconds on screen, and he's arguably among the least defined.

Wow. Just, wow.

The Jungle Book is one of the stronger of Disney's live-action adaptations. It's a true family-friendly adventure that's smart and often thrilling.

By the time its evolution is complete, The Jungle Book has proven itself a minor Darwinian miracle, perhaps the oddest of all species: a movie nearly devoid of human beings, yet one bursting with humanity.

The standout song goes to Harris, a rhythmic 'Bare Necessities' extolling the value of a simple life and credited to Terry Gilkyson.

Visually stunning and entirely engaging.

Disney did pretty much everything right here. Favreau and screenwriter Justin Marks created a winning foundation, and Disney certainly cast the right voice actors.

"The Jungle Book" is the kind of family film calculated to make even those without families wish they had one to take along.

Favreau's Jungle Book fills us with something rare in movies today - a sense of wonder.

It's one of the few films in which the 3D enhancement is justified. Each scene captures the essence of each animal so vividly that children in the audience were reaching out to the screen to try to "touch" the fur.

Most of the real world challenges that Leo DiCaprio faced in The Revenant, 10-year-old Neel Sethi faces plenty persuasively in The Jungle Book's digitized world.

Jon Favreau brings a welcome lightness of touch to this visually immersive adventure story.

Clean, cleverly judged, and hypercontrolled. It represents, in short, the state of the art. Without disputing that, I would simply ask, What art?

The computer-generated effects are extraordinary; the jungle and its menagerie of beasts and critters looks positively lifelike.

It is a banquet of storytelling delicacy, exciting light drama, athletic action and computer-generated imagery that is more hyper-real than real. After every delicious scene, I wanted seconds.

With its combination of state-of-the-art technology and old-school charm, "The Jungle Book" should thrill children and adults alike.

It's dazzling - almost no one will dislike it. Its director, Jon Favreau, knows his audience, and he has enough skill and honest enthusiasm to win over all but the most determined skeptics.

Walt Disney Studios' splendid new version of The Jungle Book is utterly charming, absolutely gorgeous and perhaps too terrifying for the youngest and most impressionable children.

Forget about your worries - this is the jungle VIP.

A serious disappointment, recommended only for inveterate Disney fans and very young people.

Studios are in the recycling business, and while this "The Jungle Book" is lightly diverting, it is also disappointing, partly because it feels like a pumped-up version of Disney's 1967 animated film, with more action and less sweetness.

The new production, computer-animated except for a living, breathing boy at the center of the action, isn't pretty or sweet but utterly stunning, as well as very funny.

A visually stunning and highly dramatic movie that pays only brief homage to the music of its predecessor and whose threatening characters and scary moments would surely have given Walt the heebie-jeebies.

Talking animals have never looked so good, which is a bigger feat than it sounds.

The film moves us swiftly from one breathtaking scene to another: a dramatic mudslide; a climb up a near-vertical rock face (by a bear who'd really rather take a nap); a fairy-tale-misty lagoon, where water blends seamlessly with sky.

Stunning animation and big-screen thrills, but be warned that this is a much scarier movie than the animated 1967 version.

Might lack the post-vaudeville razzamatazz of its predecessor, but director Jon Favreau and a team of effects wizards plunge us into one of the big screen's most engrossing artificial worlds since Avatar.

It's the first talking-animal movie I've seen where CGI seamlessly bridges the uncanny gap between fantasy and reality. It's also one of the few 3-D movies that actually benefits from being in 3-D.
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